Psycho.
Psycho. #51
Cage-i-ness.
Caspar Salmon
Extras
What a Gamble! On Martin Scorsese's New York, New York (1977)
At a time when film can be schematic and timid, the huge risks taken by Scorsese have a spicy tingle about them; feeling such deep regret at a missed opportunity is likewise unusual now.
Psycho.
Psycho. #50
Looking for the "best" "croissant" in Cannes this year.
Psycho.
Psycho. #49
The Cannes experience.
Psycho.
Psycho. #48
God's lonely protagonist.
Psycho.
Psycho. #47
Too much fun?
Psycho.
Psycho. #46
Talking acting.
Psycho.
Psycho. #45
What gives a good movie the juice?
Extras
In a Minor Key: On Alain Guiraudie's Misericordia (2024)
A heady potion, Alain Guiraudie's Misericordia possesses a very subtle derangement.
Psycho.
Psycho. #44
Canon blast.
Psycho.
Psycho. #43
Out-of-this-world cinema.
Essays
My Imaginary Country
On watching Patricio Guzmán’s My Imaginary Country in Goa, India The film wasn’t the main thing that day. What really counted then was the warmth of the air and the noise of the traffic on a busy road — a man hurtling past on a Vespa carrying two multi-packs