Psycho.
Psycho. #5
Does objectivity exist in art criticism? Caspar, who is always right, answers.
Elena Lazic
Psycho.
Psycho. #4
In this week's letter, Caspar is forced to comment on films which, for the most part, he really would rather not think about again
Psycho.
Psycho. #3
An almost monosyllabic letter brings up a perennial question
Psycho.
Psycho. #2
Deadpool & Wolverine & Caspar
Psycho.
Psycho. #1
In this first instalment of Animus' new advice column for cinephiles, Caspar Salmon addresses persistent rumours that cinema might be dying
The French Dispatch
Episode 4: Nostalgia in action
Manuela's final week solo in Paris was full of longing
Extras
Coming of age at Sundance 2024
Elena discusses four highlights from the festival
The French Dispatch
Episode 3: La Rue du Cinéma
In this slightly delayed but packed episode, Manuela visits the iconic rue Champollion
The French Dispatch
Episode 2: The Appointment
Manuela's first week in Paris, and her Saturday with a special guest — me.
The French Dispatch
Episode 1: Homecoming
Manuela reports back from our hometown and the French cultural conversations she already got a sense of there
The French Dispatch
Episode 0: An introduction
Welcome to the first ever Animus podcast.
Extras
I Even Met Happy Gypsies (Aleksandar Petrović, 1967)
Released in 1967 like Dušan Makavejev’s Love Affair, or The Case of the Missing Switchboard Operator — which I wrote about on the Substack a few weeks back — Aleksandar Petrović’s I Even Met Happy Gypsies was a hit both in Yugoslavia and abroad. Nominated for the Palme d'