Extras
Something that has been occupying my mind a lot lately is the concept of fantasy. I don’t mean the literary genre, but the imaginary world that we sometimes find ourselves spending more time in than reality. I think that many of us often live in a fantasy — at least
Extras
I have been watching a lot of Law & Order: Special Victims Unit these past few weeks, and in that show, the cops essentially do not care about why the perps (SVU talk for “perpetrators”) do what they do; all they care about is stopping them. This is obviously not
Extras
It is always painful to realise what a brilliant actor James Woods is, considering the kind of person he has become. Interestingly (or not), he is really good at playing very unpleasant characters, and The Hard Way is no exception. His John Moss is a brutal NYPD cop whose work
Extras
I don’t think that a teen film which does not begin to enact its basic concept and selling point (here, a kid setting up a brothel in his parents’ house) until an hour in could be made today. But even more inconceivable to me is the idea that a
Extras
I know this entry in the franchise is reviled by most. There is nothing I can do about that. But for my own sake, and in the secret hope that history will eventually prove me right, I want to go into some detail about why I find this film an
Extras
I didn’t know anything about the sports movie All the Right Moves when I took my DVD from the shelf (though I should have remembered the conversation in Scream about how, if you pause it just right, you can see Tom Cruise’s penis; I can now confirm that
Extras
I watched Dark Blue simply because I’d been meaning to for a while and because I’d seen Ron Shelton’s White Men Can’t Jump a couple of days earlier, but it turned out to be a freakily timely watch. When the BLM protests started this year and