Essays
Directors Lise Akoka and Romane Gueret on their feature debut The Worst Ones When does a fascination for colourful characters fall into condescending and morbid curiosity? Where is the line between being given a chance and being used? Such questions of ethics and respect have always animated documentary filmmaking, but
Essays
American director Paul Schrader on his film Master Gardener, controversy, Facebook, Taxi Driver and more Marrakesh was one of the locations for Dominion: Prequel to the Exorcist — “not a film I should have made,” according to Paul Schrader, who was back in town for the Marrakech Film Festival to accompany
Essays
The Lynchian, existential sequel celebrates its tenth anniversary Already embedded within the concept at the heart of the Universal Soldier franchise is an acute bitterness about the American military’s treatment of the men who do its dirty work. In the first film, soldiers thrown into the meat grinder that
Essays
Artwork by Neven Udovičić The films discussed in this issue all, to some degree, use provocation to fulfil their goals. Speaking to Mark Asch, Daniel Goldhaber explains that his film How to Blow Up a Pipeline isn’t designed to advocate for a specific politics, but rather to shake up
Extras
Flamingo Road (1949) is a film noir / melodrama starring Joan Crawford as a woman who, through factors largely outside of her control, finds herself climbing the echelons of social life until she becomes what Joan Crawford always becomes: rich. But there is a price to pay, and this is a
Essays
On Nathan Fielder's show The Rehearsal (photo Allyson Riggs/HBO) There’s a telling moment about halfway through the pilot of The Rehearsal, Nathan Fielder’s series for HBO Max, in which Kor, the episode’s middle-aged subject, compares Fielder to Willy Wonka. The remark is meant as
Essays
On Babak Anvari's I Came By (2022) The hypocrisies of modern life, where all of us are complicit in the suffering and exploitation of others whether we choose to be or not, are not a new field of creative exploration for filmmakers (heard of Fight Club, anyone?). Beyond
Essays
On Satyajit Ray's Devi (1960) “I’ll convince him! I have all the latest arguments at my fingertips,” boasts the cocky Umaprasad (Soumitra Chatterjee), when his friend confesses that he wishes to marry a widow but is afraid of his father’s disapproval. Throughout Satyajit Ray’s Devi
Essays
Promotional picture for My Six Convicts (1952) One of the most striking sections of this year’s edition of Il Cinema Ritrovato, the repertory film festival that takes place annually in Bologna, Italy, was the series on director Hugo Fregonese. Born in Argentina but working in Hollywood in the years
Essays
On digital vs. film Why return to the discourse surrounding digital and film now? Walter Benjamin wrote, “In every era the attempt must be made anew to wrest tradition away from a conformism that is about to overpower it.” Today digital sensors have largely erased the aesthetic discrepancies between digital
Essays
Artwork by Neven Udovičić Few films that purport to “blur the boundaries between fiction and reality” ever go beyond stating the fact that much of reality is fake or performative, and that, conversely, a lot of what we assume to be entirely artificial is in fact the most true. That
Extras
The story is what first catches the attention. A man who can draw his gun faster than anyone else finds himself forced to kill many others, in many American towns, as each new opponent tries and invariably fails to take his title. This premise would not be half as interesting