Essays
A still from To The Moon (2021) I may be writing this essay at the tail end of 2021, but it already feels wrong to voluntarily think back on the year that has just passed. As Michael Sicinski puts it in his essay for Mubi Notebook, there do not seem
Extras
Merry Christmas to all who celebrate! To end the year on a positive note, Animus editor Elena Lazic asked the writers from the magazine's first five issues to each briefly write about one of their most memorable and powerful film experiences of the year, whether it was with
Essays
Director Peter Macdonald and executive assistant Madelyn Most discuss one of the best and most forgotten of JCVD's films Thereâs simply nothing expected about Legionnaire. Itâs not directed by an âauteurâ, but by Peter MacDonald, an industry veteran known predominantly for his work as a second-
Essays
Ridley Scott's The Last Duel is a chance to rethink the place and definition of the auteur in Hollywood âSolidâ is the word that is said the most when I ask some of the people who liked Ridley Scottâs The Last Duel (most of them âmillenniansâ) to
Essays
On the liberating power and creative potential of the 'vacation film' The philosopher VilĂ©m Flusser, in his essay âTaking Up Residence in Homelessnessâ, used Hegel to describe the double-bind of our âunhappyâ consciousness as a metaphorical dithering on the doorstep. To be within a space that is
Essays
Mia Hansen-LĂžve's characters are all saved by her empathy for them It has always been a somewhat difficult and elusive task, attempting to describe precisely what is so distinctive and unique about the works of French filmmaker Mia Hansen-LĂžve. Over the course of just seven feature-
Essays
In Claire Simon's I Want to Talk About Duras, love is a role to play Brian De Palma's Body Double is most often discussed as a film about film viewing and the illusion of control that voyeurism offers. When Craig Wassonâs Jake Scully indulges in
Essays
Still from Danses Macabres, Skeletons and Other Fantasies (2019) As I have been spending more time going out lately (and especially in October, hence the lack of a new issue that month), I have been experiencing that strange sense of disconnect one can sometimes feel not so much between who
Extras
Manuela LaziÄ writes about two of the films that made the biggest impact on her at the 2021 Open City Documentary Festival in London
Essays
Lordan ZafranoviÄ's Occupation in 26 Pictures offers a refreshing and vital approach to history in cinema Films, TV, and perhaps in todayâs age, social media, have a way of defining how we interpret, visualise and collectively memorialise the past far more concretely and definitively than the onerous,
Essays
Todd Haynes' Superstar: The Karen Carpenter Story and Velvet Goldmine complicate our understanding of the relationship between pop culture and individuals In a West Village cafĂ©, Todd Haynes once heard Karen Carpenterâs voice. âOne day I was sitting at CafĂ© Dante ⊠where they were playing 1970s retro music,
Essays
In Vincente Minnelli's Home from the Hill, tragedy is inherited The greatest melodramas are fatalistic in nature. In a certain sense, traceable from Vidor to Sirk to Nick Ray, they all traffic in inevitability. We know what will happen â or, at least, we are never too surprised when