Psycho.
Psycho. #54
An individual voice.
Psycho.
An individual voice.
Hard Truths
Recording together in the same room for the first time in Hard Truths history, Elena and Manuela discuss the wonders of Il Cinema Ritrovato directly from Bologna, Italy, where the annual repertory cinema festival organised by Cineteca di Bologna takes place. Talking about some of the prints and restorations playing
Psycho.
Tom's fans.
Psycho.
Caspar has seen things you people wouldn't believe.
Hard Truths
In Letter From an Unknown Woman (1949), a young woman spends the better part of her life fantasising about a man who barely knows of her existence. It is difficult to imagine the pleasure-seeking characters from La Ronde (1950) or Le Plaisir (1952) ever adopting such an impractical view of
Psycho.
Cage-i-ness.
Hard Truths
The sun of June can be oppressive in its own way. For the fourth year in a row, the American Cinematheque in Los Angeles has given local cinephiles a refuge from the mirth of spring-summer months with Bleak Week: Cinema of Despair — a week-long season of soul-crushing and gruelling masterpieces.
Extras
At a time when film can be schematic and timid, the huge risks taken by Scorsese have a spicy tingle about them; feeling such deep regret at a missed opportunity is likewise unusual now.
Psycho.
Looking for the "best" "croissant" in Cannes this year.
Psycho.
The Cannes experience.
Hard Truths
This third episode of Hard Truths, about Ryan Coogler's Sinners (2025), is a lot less about twins than we expected — but that's only because the film is so rich. Elena and Manuela talk about Coogler's far-reaching vision for the possibilities of IMAX and cinema
Psycho.
God's lonely protagonist.