Longform writing is the raison d'être of Animus. These free-to-access essays, by writers from around the world, cut through the noise and are guaranteed to be worth your time.
Essays
Billy Ray's Shattered Glass centres something more important than affability Another film could have told the story of The New Republic prodigy and serial liar Stephen Glass with bombastic, paranoia-tinged intensity, the kind that defines Alan Pakula’s trilogy of films about far-reaching corruption. Or it could have
Essays
Channel 4 faces the greatest crisis in its lifetime. Is it possible to save it? The day that it was confirmed that the UK government intends to privatise Channel 4, my Twitter feed filled up with tweets that drove me up the wall. They were mostly variations on this sort
Essays
Three artists foreground how fruitful and fun a vision of art without boundaries can be One of the richest events at this year’s Berlin Film Festival occurred on its literal fringes. In association with the festival, the Haus der Kulturen der Welt presented the second staging (since its debut
Essays
A manifesto for experimental film, inspired by the work of Light Cone seen at IndieLisboa When I studied film at university, a teacher insisted that we should write one, maybe even two, manifestos in our lives. At the time, it seemed glib, a playful roast about the passions of youth
Essays
Peter Weir's Fearless formally and narratively brings up the challenges of being a person in the world, unavoidably tangled up in the problems of other people’s lives Peter Weir’s Fearless centres on a plane crash survivor who is, indeed, fearless, because he feels himself to be
Essays
Artwork by Neven Udovičić The line that connects the idea of cinema as an empathy machine to the plague of “nicecore” kino (which Animus contributor Charles Bramesco wrote about so forcefully here) is the horizon beyond which an apparently large number of film viewers (and reviewers) are not inclined to
Essays
Isaac Butler tells us about his new book on Method acting and its history In a current film landscape where the gap between commercial blockbusters and more challenging work has only grown wider, it might seem counterintuitive to publish a book on Method acting. The style itself is more often
Essays
Vincent Price's horror persona often brought to life chillingly pathetic characters seeking hollow victories Throughout the history of horror on screen, the relationship between characters and actors’ personas has been at the forefront of the genre’s development. From the Universal movies of the 1930s, to the final
Essays
Channing Tatum and His Magic Mikes, Keanu Reeves, Johnny Knoxville, Simon Rex, and the Himbo Ascendent Dog, starring Channing Tatum as an ex–Army Ranger with PTSD who bonds with his unit’s Multi-Purpose Canine en route to his buddy’s funeral, is a road-movie two-hander in which one character
Essays
The director tells us about her unique, visceral portrait of a young boy growing up in Naples' Spanish quarters One of the most striking offerings at last year’s London Film Festival, Nascondino (aka Hide and Seek), from London-based director Victoria Fiore, is doubly powerful: its portrait of a
Essays
Three recent films set in Croatia and Bosnia look at the peculiar, frustrating situation of their younger generation One could be forgiven for imagining that the behaviour of the father character in Murina, the feature debut from Croatian director Antoneta Alamat Kusijanović, is far-fetched. Short-tempered and aggressive, Ante (Leon Lucev)
Essays
Artwork by Neven Udovičić “Acting is really hard to talk about,” Isaac Butler tells Claire Davidson in his interview about his new book on Method acting, and he is right. Which is why it is a point of pride to publish three essays in this month’s issue that touch