Psycho.
Psycho. #61
"Cinema bros"?
Caspar Salmon
Psycho.
Psycho. #60
Dear Caspar, I wonder if you could help. The Servant is one of my favourite films, I just love it. Incredible malevolent and camp performances; Pinter's script, Losey's direction and Slocombe’s cinematography are in perfect harmony, it's all so tonally well controlled. So
Psycho.
Psycho. #59
Sorrenti-maybe?
Psycho.
Psycho. #58
Held hostage by TV.
Psycho.
Psycho. #57
Real art.
Psycho.
Psycho. #55
True story.
Psycho.
Psycho. #54
An individual voice.
Psycho.
Psycho. #53
Tom's fans.
Psycho.
Psycho. #52
Caspar has seen things you people wouldn't believe.
Psycho.
Psycho. #51
Cage-i-ness.
Extras
What a Gamble! On Martin Scorsese's New York, New York (1977)
At a time when film can be schematic and timid, the huge risks taken by Scorsese have a spicy tingle about them; feeling such deep regret at a missed opportunity is likewise unusual now.
Psycho.
Psycho. #50
Looking for the "best" "croissant" in Cannes this year.